Brooklyn: Hollywood East?

Brooklyn: Hollywood East?

BSE Strip

Like television? So do we, and, it seems TV likes Brooklyn. Broadway Stages, the biggest film studio company in Brooklyn that you’ve never heard of, is growing faster than the famous literary Ailanthus tree. Most Brooklyners know about Steiner Studios, the long-time resident at the Navy Yard, and many have heard of CineMagic, and there are Kaufman Astoria and Silvercup in Queens. But there is perhaps a dozen or more smaller studios that are busy handling interior shots for the many TV shows and movies being shot in New York, and Broadway Stages, one of the biggest of those, is getting bigger.

Broadway Stages is home to interior shots for such TV hits as VEEP, Mr. Robot, Master of None, Blacklist, Blue Bloods, Madame Secretary, and many more. The company already has a half-dozen locations dotted across Greenpoint, with others in Long Island City and Middle Village, Queens. Now, according to the Real Deal, they are growing further. The studio, headquartered on Meserole Street in Greenpoint, will be combining six single-lot buildings on nearby Kingsland Avenue into one, increasing the floors of those one-, two-, and three-floor properties to six to and the usable floor space to 101,623 from 41,233. The reconstruction is scheduled to begin in the spring and take a year or more to complete.

In a separate purchase, Broadway Stages last month wrapped up a deal with Exxon-Mobile to buy a large empty lot around the corner from the Kingsland Avenue properties, at 378-392 Greenpoint Avenue. That deal, at $10.2 million, gives Broadway Stages another 160,000 (+/-) buildable square feet for further expansion down the road.

New York TV production has increased dramatically in the past decade, and Broadway Stages is taking advantage and getting ready for a lot more right here in Brooklyn.

 

 


 

The Kings Theatre, A Treasure Restored

The Kings Theatre, A Treasure Restored

Deep in the heart of Brooklyn lies one of the most magnificent treasures in all of New York City: The Kings Theatre in Flatbush. Built as a grand movie palace by the Loew’s Corporation, the theatre first opened in 1929, when going to the movies was a social event, and the rich and the poor mingled in the lobby and sat in egalitarian style in the auditorium. The original design firm, Rapp & Rapp, modeled it after the Paris Opera House, with a nod to the Palace of Versailles, including many Baroque and Rococo elements as well as details in the then-popular Art Deco style, such as the wall sconce pictured below.

Kings_Theatre_Interior Alexandra Silversmith 400

Kings Theatre, Brooklyn, auditorium

The theatre rode high during the golden age of movies in the ’30s and ’40s, and presented vaudeville shows along with the movies. The palace deteriorated along with much of the surrounding area in the ’50s and ’60s before closing in the ’70s. Immaculately restored in a two-year-long renovation, the theatre had its ribbon-cutting in 2015 as a live-performance venue, with Diana Ross performing at the grand reopening, and the glory of the heyday of movies is back in Brooklyn. Acts and artists as varied as tKings_Theatre_Light smlhe Russian singing group the Turetsky Choir, hip-hop artist Sean Paul, the country musician Jason Isbell with the 400 Unit, various comedy shows, and many more popular acts now perform on the Kings Theatre stage on a regular basis.

The building is owned by the city these days, and operated by ACE Theatrical Group, which conducted the reconstruction led by the architectural firm Martinez + Johnson. The effort cost approximately $95 million. It’s definitely worth a trip out Flatbush Avenue to check out this gorgeously restored gem.

Kings_Theatre_Flatbush_finished_Exterior Jim Henderson 400

 

Photo Credits:

Top: Lobby of the Kings Theatre: By Moucheraud (Own work) [CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0 . via Wikimedia Commons

Auditorium: By Alexandra Silversmith (Own work) [CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0 , via Wikimedia Commons

Art Deco wall sconce: By Professorcornbread – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=44433911 , via Wikimedia Commons 

Exterior: By Jim Henderson (Own work) [CC BY 3.0  http://creativecommons.org/licenses/by/3.0 , via Wikimedia Commons


 

 

BAM: Brooklyn’s Gold- Standard Venue

The Brooklyn Academy of Music (BAM), at the edge of Downtown Brooklyn in Fort Greene, is the oldest continuously operating performance arts center in the country. It is a world-class institution with venues in multiple buildings, presenting programs of theatre, dance, music, opera, and movies by highly regarded, internationally known performing artists and companies, attracting audiences from around the world.

The original academy, opened in 1861,BAM Concert Hall 1908 w caption 400w
stood on Montague Street in Brooklyn Heights, now the site of a mid-rise apartment building (180 Montague Street). Built for the Brooklyn Philharmonic Orchestra, it had a 2,000-seat theatre and a smaller concert hall. Contemporary luminaries including Edwin Booth and Ellen Terry performed there, and music and theatre productions professional and amateur filled its stages for over forty years.

In 1903, an early morning fire destroyed the Academy and a good portion of the block. It had become a major institution by that time, and a push to build a new structure began immediately. The architectural firm of Herts & Tallant, which had designed the New Amsterdam and Longacre theatres in Manhattan, won the contract to design the Academy, and the current building opened in 1908 with a performance of the Metropolitan Opera starring Enrico Caruso and Geraldine Farrar.

The new Academy had a Beaux Arts façade and two side-by-side main theatres, the Concert Hall and the Opera House with one grand lobby across the front of both. In addition, a gBAM Opera House A Hughes 400wrand ballroom graced the second floor. The institution thrived until World War II, when all attention and resources were given to the war effort. Afterward, the entire Borough experienced a decline as the returning soldiers married and moved out of the city to the new suburbs in Long Island and New Jersey. Attendance and programming at the Academy declined.

That ended in 1967 with the appointment of a new executive director, Harvey Lichtenstein. Under his leadership, the Academy slowly but surely returned to city-wide, national, and international prominence. The concert hall was reoutfitted as a full-fledged theatre and renamed the Helen Carey Playhouse, and in 1983, the annual fall Next Wave Festival began. This world-renown series features contemporary and cutting-edge theatre, dance, and music from around the world, featuring the likes of Peter Brook, Steven Reich, Philip Glass, Laurie Anderson, Pina Bausch, Robert Wilson, and literally hundreds of other first-class artists.

The physical plant has blossomed, as well. The ballroom was converted to a black box theatre in the 70s, and then to its current use, the BAMcafé, in 1997. The playhouse received a BAM Harvey Theatremakeover into a multi-screen movie house, the Rose Cinemas, also in 1997.  The 874-seat Harvey Theatre (Formerly the Majestic, renamed for Lichtenstein) on Fulton Street debuted in 1999, and the BAM Fisher theatre on Ashland Place opened its doors in 2012.  A brand-new space, the BAM Karen, is under construction as part of a new 31-story tall residential complex at 300 Ashland Place, across the street from the main building, which is now known as the Peter Jay Sharp building.

The rejuvenation of the Academy has spawned a growth or arts and arts-related organizations in the immediately surrounding area, and this section of downtown and Fort Greene is now an arts mecca, which in turn has attracted more people and other support businesses, including many restaurants and other stores. The entire area is in full-flowered renaissance, in no small part because of this great institution.